No matter what happens in our life or in the world, no matter how hard it gets or how bad it seems, things will always get better in the End.

2. a movement away from the apparent objectivity provided by omniscient third-person narrators, fixed narrative points of view, and clear-cut moral positions. Faulkner’s multiply-narrated stories are an example of this aspect of modernism.

3. a blurring of distinctions between genres, so that poetry seems more documentary (as in T.S. Eliot or ee cummings) and prose seems more poetic (as in Woolf or Joyce).

4. an emphasis on fragmented forms, discontinuous narratives, and random-seeming collages of different materials.

5. a tendency toward reflexivity, or self-consciousness, about the production of the work of art, so that each piece calls attention to its own status as a production, as something constructed and consumed in particular ways.

6. a rejection of elaborate formal aesthetics in favor of minimalist designs (as in the poetry of William Carlos Williams) and a rejection, in large part, of formal aesthetic theories, in favor of spontaneity and discovery in creation.

7. A rejection of the distinction between “high” and “low” or popular culture, both in choice of materials used to produce art and in methods of displaying, distributing, and consuming art.

 ((All characteristics were taken directly from–> http://www.colorado.edu/English/courses/ENGL2012Klages/pomo.html